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Stories Collection

- A photograph of 1894 shows Paul Cezanne in his Paris studio at work on a small canvas...
- PAMELA MCCLUSKY WITH ROBERT FARRIS THOMPSON
Art from Africa: Long Steps Never Broke...
- BRANDEN JOSEPH
Random Order: Robert Rauschenberg and the Neo-Avant-Garde
Cambridg...
- One of the most provocative images in Japanese art is the kusozu, a graphic depiction...
- APEL, DORA. Imagery of Lynching: Black Men, White Women, and the Mob. New Brunswick: ...
- Public ritual in late medieval and Renaissance Florence was largely dependent on the ...
- On May 23, 1871, the Palais d'Orsay was ravaged by a fire during the wave of incendia...
- This essay proposes a new reading of Gustave Courbet's The Meeting, better known as B...
- The Dawn of Photography; French Daguerreotypes, 1839-1855
The Metropolitan Museum o...
- In 1935, Edith Halpert of the Downtown Gallery, New York, sold Charles Sheeler's View...
- JOHN ONIANS, ED.
Atlas of World Art
London: Oxford University Press, 2004. 352 pp...
- LEO STEINBERG
Leonardo's Incessant Last Supper
New York: Zone Books, 2001. 317 pp...
- The Venetian Zecca, or mint, boasts an impressive portal (Fig. 1). Two overlife-size ...
- HUGO VAN DER VELDEN
The Donor's Image: Gerard Loyet and the Votive Portraits of Cha...
- The placing of artists' signatures on works of art has been viewed as an act that com...
- TODD PORTERFIELD
The Allure of Empire: Art in the Service of French Imperialism 179...
- In her essay "The Originality of the Avant-Garde," Rosalind Krauss conclude...
- HOLLIS CLAYSON
Paris in Despair: Art and Everyday Life under Siege (1870-1871)
Ch...
- No two artists have seemed as diametrically opposed in their expression of the repres...
- On June 5, 1788, in the busy port town of Annapolis, Maryland, Charles Willson Peale ...
- AKERMAN, JEREMY. Chad McCail: Life Is Driven by the Desire for Pleasure. Exh. cat. Ed...
- As a direct consequence of the Opium War (1840-42), the treaty port of Shanghai emerg...
- When Nagase Tomiro opened his Western sundries shop in Tokyo in 1887, cosmetic soap u...
- caa.reviews, published by the College Art Association, is an online journal devoted t...
- New Yorkers out on the town for an evening of art in late October 1942 would have fou...
- HANS BELTING
Bild-Anthropologie: Entwurfe fur eine Bildwissenschaft
Munich: Wilhe...
- In this, my final issue as editor-in-chief, I would like to acknowledge the many coll...
- The title of Maggie Keswick's book The Chinese Garden, which has served as American r...
- Butchers, fish vendors, and poultry sellers appear quite abruptly in northern Italian...
- The discovery in June 1937 of a wooden building, the east hall of Foguang Monastery, ...
- LOTHAR LEDDEROSE
Ten Thousand Things: Module and Mass Production in Chinese Art
T...
- African Art (sub-Saharan)
ANDERSON, SEAN S., "In-Visible Colonies: Modern Arch...
- AAV, MARIANNE, ED. Marimekko: Fabrics, Fashion, Architecture. Exh. cat. New York: Bar...
- "Incalculable" was William Dunlap's estimation of Benjamin West's effect on...
- Renowned as a great portraitist in the seventeenth century, the Spaniard Diego Velazq...
- caa.reviews, published by the College Art Association, is an online journal devoted t...
- CYNTHIA HAHN
Portrayed on the Heart: Narrative Effect in Pictorial Lives of Saints ...
- MICHAEL FRIED
Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin
L...
- ROGER BENJAMIN
Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1...
- In the south transept of the lower church of S. Francesco, Assisi, in the early fourt...
- Jinci, or the Memorial Shrine of Jin, perhaps the most unconventional shrine complex ...
- ADAMS, PARVEEN, ED. Art: Sublimation or Symptom. New York: Other Press, 2003. 180 pp....
- In the Salon of 1765 the painting that caused the greatest stir was Jean-Honore Frago...
- Pedestrians walking down Thompson Street off Greenwich Village's Washington Square Pa...
- In the third quarter of the fifteenth century, the Confraternity of Corpus Domini, a ...
- The notion of self-representation, understood as a deliberate distancing from one's o...
- In the summer of 1857, the year that Jean-Francois Millet (1814-1875) debuted The Gle...
- When Beaumont Newhall, at the urging of Ansel Adams, brought survey photography into ...
- HANS BELTING
Trans. Helen Atkins
Chicago: University of Chicago Press, 2001. 480 ...
- Since its rediscovery in 1838, the tomb of the baker has sparked the interest of visi...
- SUSAN BUCK-MORSS
Dreamworld and Catastrophe: The Passing of Mass Utopia in East and...
- In her article "Japanese Art History 2001: The State and Stakes of Research," Profess...
- NIGEL WHITELEY
Cambridge, Mass.: MIT Press, 2002. 494 pp.; 89 b/w ills. $39.95
As...
- In a letter dated Mexico City, April 28, 1770, the marques de Moncada, an impoverishe...
- Caravaggio's "Self-Portrait" by Ribera
In his illuminating article "Caravaggio's De...
- Long snubbed by art historians as an ill-matched couple, art and economics have enjoy...
- (November 2002-January 2003)
ABELL, SAM, AND LEAH BENDAVID-VAL.
Sam A Bell: The P...
- One of the most influential images in Giovanni Battista Piranesi's Prima pane di arch...
- A cultural geography of Mediterranean France that emphasized the region's naturally h...
- To try to describe the art of a gigantic empire is as daunting a task as one could ta...
- ANTHONY GRAFTON
New York: Hill and Wang, 2000. 415 pp.; 1 color ill,, 27 b/w. $35.0...
- MARIO CARPO
Trans. Sarah Benson Cambridge, Mass.: MIT Press, 2001. 246 pp.; 27 b/w ...
- September-October 2002
ALBERRO, ALEXANDER. Conceptual Art and the Politics of Publi...
- In 1946, a little more than a year after the United States dropped atomic bombs on Hi...
- (September-October 2002)
CAA.Reviews, published online by the college Art Associati...
- Antioch: The Lost Ancient City
Worcester Art Museum, October 7, 2000--February 4, 2...
- MARIA GEORGOPOULOU
Venice's Mediterranean Colonies: Architecture and Urbanism
Cam...
- ALEXANDER NAGEL
Michelangelo and the Reform of Art Cambridge: Cambridge University ...
- In many academic endeavors, textual evidence is decidedly and somewhat understandably...
- CAROL ARMSTRONG
Scenes in a Library: Reading the Photograph in the Book, 1843-1875 ...
- GREG M. THOMAS
Art and Ecology in Nineteenth-Century France: The Landscapes of Theo...
- DEBORA SILVERMAN
Van Gogh and Gauguin: The Search for Sacred Art
New York: Farrar...
- WANDA M. CORN
The Great American Thing: Modern Art and National Identity, 1915-1935...
- Guiding us through his exercises in skepticism, seeking to show us how our world migh...
- "Living Memorials" after the Civil War
I recently read with interest Andrew M. Shan...
- He turned his head like an old tortoise in the sunlight. "Is it true that there are m...
- (July-August 2002)
AHL, DIANE COLE, ED. The Cambridge Companion to Masaccio. New Yo...
- In the sight of an old pair of shoes there is something profoundly melancholy.--attri...
- Van Gogh and Gauguin: The Studio of the South
The Art Institute of Chicago, Septemb...
- ANITA ALBUS
The Art of Arts: Rediscovering Painting Trans. Michael Robertson.
New...
- JONATHAN HAY
Shitao: Painting and Modernity in Early Qing China.
Cambridge: Cambr...
- NANCY LOCKE
Manet and the Family Romance
Princeton: Princeton University Press, 2...
- CHRISTOPHER GREEN
Art in France 1900-1940
New Haven: Yale University Press, 2000....
- The Chinese painting of architectural subjects--buildings, boats, wheeled vehicles, a...
- MATTHEW BAIGELL
Artist and Identity in Twentieth-Century America
New York: Cambri...
- ... because painting comes from Shades, and Sculpture from Idols.--Anton Francesco Do...
- In "Canonizing Kannon: The Ninth-Century Esoteric Buddhist Altar at Kanshinji" (March...
- Pieter Bruegel the Elder: Drawings and Prints
Museum Boijmans Van Beuningen, Rotter...
- Thomas Eakins: American Realist
Philadelphia Museum of Art, October 4, 2001-January...
- BEAT WYSS
Hegel's Art History and the Critique of Modernity
Trans. Caroline Dobso...
- DEBRA PINCUS
The Tombs of the Doges of Venice
Cambridge: Cambridge University Pre...
- DIANA NORMAN
Siena and the Virgin: Art and Politics in a Late Medieval City State
...
- LISA TICKNER
Modern Life and Modern Subjects: British Art in the Early Twentieth Ce...
- [Marsyas's] sinews lie bare, his veins throb and quiver with no skin to cover them......
- AMY NEWMAN
Challenging Art: Artforum 1962-1972 New York: Soho Press, 2000. 559 pp.;...
- Derek Jarman opens his claustrophobic, skyless Caravaggio (1986) with the feverish ar...
- A Closer Look at Eastern European Modernism
James Elkins's review (Art Bulletin 82 ...
- Andre Malraux, writing in The Voices of Silence, observed that "every great painter h...
- (April-June 2002)
ABIFARES, HUDA SMITHSHUIJZEN. Arabic Typography: A Comprehensive ...
- At the beginning of the eighteenth century, the two most important English writers on...
- In "Canonizing Kannon: The Ninth-Century Esoteric Buddhist Altar at Kanshinji" (March...
- When Raphael died in 1520, his workshop in Rome was jointly inherited by his two lead...
- ALEX POTTS
The Sculptural Imagination: Figurative, Modernist, Minimalist.
New Hav...
- Few Renaissance chapels have preoccupied modern scholars as much as the Capponi Chape...
- The following lists of Dissertations in Progress and Dissertations Completed cover th...
- Some time between late 1646 and early 1647, Chen Hongshou (1598--1652) painted an unu...
- January-March 2002
ABT, JEFEREY, A Museum on the Verge: A Socioeconomic History of ...
- The hurry noise & restlessness of Rail Road travelling with the consequent violence d...
- Like so many fields of art history, the study of seventeenth-century Netherlandish ar...
- THOMAS CROW
The intelligence of art.
Chapel Hill, N.C.: University of North Carol...
- OLGA HAZAN
Le mythe du progres artistique.
Montreal: Les Presses de l'Universite ...
- DIANE WOLFTHAL
Images of Rape: The "Heroic" Tradition and Its Alternatives.
Cambr...
- As has frequently been noted, an abrupt change in the artistic rendering of Buddhist ...
- CARMEN C. BAMBACH
Drawing and Painting in the Italian Renaissance Workshop: Theory ...
- Two different worlds present themselves to the scholar of Hebrew illuminated manuscri...
- JODI CRANSTON
The Poetics of Portraiture in the Italian Renaissance.
Cambridge: C...
- The terms fascism and modern art used to seem comfortingly opposed to each other, but...
- MARVIN TRACHTENBERG
Dominion of the Eye: Urbanism, Art, and Power in Early Modern F...
- PAUL A. HILLS
Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550
New ...
- EDWARD SNOW
Inside Bruegel: The Play of Images in Children's Games
New York: Nort...
- Scholars have postulated the existence of an international style for the arts of the ...
- JAMES J. SHEEHAN
Museums in the German Art World: From the End of the Old Regime to...
- The honzon, or primary icon, (1) of the Japanese Buddhist temple Kanshinji is a statu...
- MOLLY NESBIT
Their Common Sense
London: Black Dog, 2000. 376 pp.; 151 b/w ills. $...
- In his 1672 Lives of the Modern Painters, Sculptors and Architects, Giovan Pietro Bel...
- JAMES ELKINS
What Painting Is
New York: Routledge, 1998. 246 pp.; 25 color and b/...
- By his own admission, the eminent Pre-Raphaelite painter William Holman Hunt suffered...
- History is the subject of a structure whose site is not homogeneous, empty time, but ...
- One month after atomic bombs annihilated Hiroshima and Nagasaki, Philip Johnson propo...
- It was a strange Paris, that one. You do remember it: cholera was everything; it had ...
- When the doors of the Louvre opened at noon on March 1, 1834, the public received its...
- The point at which Native American art (or indeed any indigenous tradition) became "m...
- JEAN WIRTH
L'image a' l'epoque romane
Paris: Les Editions du Cerf, 1999.
506 pp...
- ELIZABETH HILL BOONE
Stories in Red and Black: Pictorial Histories of the Aztecs an...
- EVELYN LINCOLN
The Invention of the Italian Renaissance Printmaker
New Haven: Yal...
- While art historians have steadily pursued the study of patterns of artistic consumpt...
- And the two angels came to Sodom at even; and Lot saw them.... And they smote the men...
- It was Pierre Francastel who christened the most famous program of sculpture in the h...
- J. V. FIELD
The Invention of Infinity: Mathematics and Art in the Renaissance
Oxf...
- Saint Bernard's Cloister
In his celebrated Apologia of 1125, Saint Bernard of Clair...
- HARRY BERGER JR.
Fictions of the Pose: Rembrandt against the Italian Renaissance
...
- The poet and essayist Yuan Mei (1716-1798) was in his midsixties when Luo Ping (1733-...
- PAMELA M. LEE
Object to Be Destroyed: The Work of Gordon Matta-Clark
Cambridge, M...
- Antoine Watteau's Pilgrimage to Cythera (Fig. 1) served as his reception piece at the...
- Thomas Eakins first came to public attention in the mid-1870s as a painter of water-s...
- Among the Yoruba of Nigeria and the Republic of Benin, the word aworan commonly refer...
- The two pioneering forces of modern sensibility are Jewish moral seriousness and homo...
- Fifteen years ago there appeared in these pages a brief statement by then Art Bulleti...
- MICHAEL KELLY, ED.
Encyclopedia of Aesthetics. 4 vols.
New York: Oxford Universit...
- WOLFGANG WOLTERS
Architektur and Ornament: Venezianischer Bauschmuck der Renaissanc...
- Today the Shinto shrines at Ise embody some of the most treasured aesthetic values as...
- In a community discussion of the look of Chicago led by a working group of three facu...
- JEFFREY F. HAMBURGER
New York: Zone Books, 1998. 608 PP., 5 color ills., 241 b/w. $...
- ROBERTA OLSON
The Florentine Tondo
Oxford: Oxford University Press, 2000. 408 pp....
- JOANNA WOODS-MARSDEN
New Haven: Yale University Press, 1998. 295 pp.; 57 color ills...
- For the modern world, the Ara Pacis Augustae (Altar of Augustan Peace) has come to sy...
- JAMES E. YOUNG
New Haven: Yale University Press, 2000. 256 pp.; 47 color ills., 56 ...
- Although Jan Steen is a famously funny painter, the only picture in the splendid exhi...
- T. J. CLARK
Farewell to an Idea: Episodes from a History of Modernism
New Haven a...
- The pain that nevertheless remains bears witness to ... the experience of having been...
- I have just read and much admired Nancy Locke's learned and sensitive interpretation ...
- About thirty miles north of Rome, within the former state of Ronciglione, the Villa F...
- Seventeenth-century Dutch genre painting, at its best, derives an unsettling power fr...
- Portraits in miniature occupy an uncertain place in art historical studies. In public...
- CAROLINE A. JONES
Machine in the Studio: Constructing the Postwar American Artist
...
- This article introduces an icon and an inscription: a virtually unstudied Buddhist po...
- In Defense of Jean Sutherland Boggs
In his review of the exhibition Degas at the Ra...
- The allure of the object in a world of language is the dilemma of the art historian. ...
- The Freer Gallery of Art in Washington, D.C., organized a symposium, "Asia in Museums...
- The Splendor of Eighteenth-Century Rome
Philadelphia Museum of Art, March 16-May 28...
- VAUGHAN HART AND PETER HICKS, EDS.
Paper Palaces: The Rise of the Renaissance Archi...
- FRANCIS AMES-LEWIS
The Intellectual Life of the Early Renaissance Artist
New Have...
- In its over eighty years, the Art Bulletin has veered only occasionally from its esse...
- EWA LAJER-BURCHARTH
Necklines: The Art of Jacques-Louis David after the Terror
Ne...
- Alice was beginning to get very tired of sitting by her sister on the bank, and of ha...
- JONATHAN CRARY
Suspensions of Perception: Attention, Spectacle, and Modern Culture
...
- For all the individual analyses of Donatello's bronze David and Judith and Holofernes...
- ROBERT A. SOBIESZEK
Ghost in the Shell: Photography and the Human Soul, 1850-2000
...
- In the opening lines to his 1914 volume Pittura scultura Futuriste: Dinamismo plastic...
- In the 1890s, Norwegian anthropologist Carl Lumholtz set out to explore the Sierra Ma...
- FRANCIS AMES-LEWIS AND MARY ROGERS, EDS.
Aldershot: Ashgate, 1998. 241 pp.; 48 b/w ...
- Thomas Hardy's early novel A Laodicean (first published in 1881) focuses on the relat...
- LEONARD BARKAN
New Haven and London: Yale University Press, 1999, 428 pp.; 199 b/w ...
- JORG TRAEGER
Munich: Beck, 1997. 552 pp.; 17 color ills., 241 b/w. DM178.00; DM78.0...
- JONATHAN BROWN
New Haven and London: Yale University Press, Pelican History of Art,...
- Of all the testaments to the golden age of Venetian painting, perhaps the most ignore...
- ALEXANDRE KOSTKA AND IRVING WOHLFARTH, EDS.
Los Angeles: Getty Research Institute f...
- In the sixteenth and seventeenth centuries in Italy, altarpieces were essentially hyb...
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