Stories Collection

  1. are frequently situated against encompassing views of a nature bathed by unifying sun...
  2. The level of achievement sustained in Castagno's frescoes at S. Apollonia also leaves...
  3. Notes I want, first of all, to express my appreciation to colleagues and friends at...
  4. 5. The fourth edition of Helen Gardner, Art through the Ages, ed. Sumner Crosby (New ...
  5. 8. Jaynie Anderson takes stock of these questions in her introduction to a special is...
  6. 12. For monograph, catalogue raisonne, and reprinting of main documents on the artist...
  7. 16. See Vasari, Le vite, vol. 2, 677, for a close description of Castagno's now-lost ...
  8. 22. The main altarpiece in the S. Tarasio Chapel was commissioned by the Abbess Elena...
  9. 29. See the introductory remarks by Caroline A. Bruzelius and Constance H. Berman to ...
  10. 36. Arte e Storia 9, no. 30 (November 30, 1890): 231; 10, no. 7 (March 31, 1891): 54f...
  11. 49. On the technical level, some of the objects on the table were treated a secco. Th...
  12. 53. ASF, Diplomatico lunghe Sant'Appollonia di Firenze, October 18, 1439. Reference t...
  13. 60. The central female at table, whose martyrdom is depicted in the lower register of...
  14. 64. Regula del Sanctissimo Benedetto, fol. 33r: "Le Monache non possono uscire l...
  15. 71. Jacobus de Voragine, The Golden Legend, trans. and ed. Granger Ryan and Helmut Ri...
  16. 76. Georges Didi-Huberman, Fra Angelico: Dissemblance and Figuration, trans. J. M. To...
  17. 83. See, for example, Luciano Berti, "Miniature dell'Angelico (e Altro)," A...
  18. COPYRIGHT 2006 College Art Association COPYRIGHT 2006 Gale Group...
  19. A major "monographic" exhibition that had its U.S. opening in February at the Metropo...
  20. The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition, by Fra...
  21. The Art of Tilman Riemenschneider A recent retrospective provided a rare opportunit...
  22. Dosso Dossi's paintings epitomize the taste for literary conceits and complex allegor...
  23. Why I took my family to Colmar in 1958 to see the Isenheim altarpiece I no longer rem...
  24. By far the most important artistic event in Paris this season was the retrospective o...
  25. Throughout his career, Leonardo Sormani worked primarily as a marble carver, producin...
  26. [FIGURE 5 OMITTED]...
  27. If we discount the idea of Signorini's collaboration with Bresciano, as I believe we ...
  28. [FIGURE 6 OMITTED] "Lavorare Colcato in Terra" He wanted "to work ...
  29. [FIGURE 11 OMITTED] [FIGURE 12 OMITTED] Two additional sixteenth-century works th...
  30. Whereas the fabrication of full-scale models was required for the production of the b...
  31. As giudizio dell'occhio is the basis for determining harmonious proportions, which ar...
  32. [FIGURE 17 OMITTED] According to Vasari, when Bandinelli received the commission fo...
  33. The foregoing discussion of the Moses and its critical reception raises a number of i...
  34. We can only conjecture as to why Giustiniani and Baglione blamed the work's failure o...
  35. In the end, Giustiniani and Baglione's narratives can be seen as efforts to make sens...
  36. 2. The history of the project and its place in Sixtus V's urban planning is discussed...
  37. 5. The relief at the left, Aaron Leading the Israelites to Water, is by Giovanni Batt...
  38. 9. ASR, Camerale I, Fabbriche, reg. 1528, fol. 71v: "Scudi 550 pagati a Lionardo...
  39. 14. Baglione, Le vite, 43: "Fece ancora quest'huomo varii modelli per diversi pa...
  40. 20. Ottavio Rossi, Elogi historici di bresciani illustri: Teatro (Brescia: Bartolomeo...
  41. 28. Charles C. Perkins, Historical Handbook of Italian Sculpture (New York: Charles S...
  42. 35. Quoted in Pietro Romano, Pasquino e la satira in Roma (Rome: V. Ferri, 1932), 37....
  43. 48. See Silvia Danesi Squarzina, "Giovanni Baglione: Amor sacro e Amor profano,&...
  44. 56. Concerning the stained-glass window at Chartres and other such depictions, Wittko...
  45. 65. See Pomponius Gauricus, De scultura (1504), ed. Andre Chastel and Robert Klein (G...
  46. 74. Vasari, Le vite, vol. 1, 90-91. 75. In his Osservazioni della scoltura antica, ...
  47. 89. Lodovico Dolce, Dialogo della pittura inlitolato L'Aretino (Venice, 1557), quoted...
  48. 97. Vasari, Le vite, vol. 1, 86: "Ma non si debbe usare altra miglior misura che...
  49. 105. Lomazzo, Scritti sulli arti, vol. 2, 220. 106. It is interesting to note, howe...
  50. 110. See Grassi and Pepe, Dizionario, s.v. "Arte," 70-72, and s.v. "Gr...
  51. 124. De Nicola, "Antichi, Prospero," 555; and Nava Cellini, "Antichi, ...
  52. 130. Vasari, Lives of the Painters, vol. 1, 582-83; Vasari, Le vite, vol. 3, 591: &qu...
  53. 137. Baglione, Le vite, 305, 146, 159, respectively. 138. Steven F. Ostrow, review ...
  54. ACIDINI LUCHINAT, CRISTINA, ET AL. The Medici, Michelangelo, and the Art of Late Rena...
  55. A fresco painted by Lodovico Cigoli in a papal chapel in Rome at the beginning of the...
  56. Nothing in Hosmer's Beatrice Cenci indicates incest or patricide in retaliation for i...
  57. [FIGURE 1 OMITTED] Hawthorne articulates the viewer's necessary yet challenging rol...
  58. Crow quickly became the young sculptor's first benefactor, advocate, patron, and ment...
  59. [FIGURE 6 OMITTED] Percy Bysshe Shelley, Anna Jameson, and Harriet Hosmer's Beatric...
  60. A bolt on the statue's base with an empty loop attached to it is the only visual clue...
  61. The statue contains no overt or clear reference, however, to the events that led to B...
  62. The Conspiracy of Silence and Trauma of Incest Shelley's play departs from the norm...
  63. Like Powers's Greek Slave (Fig. 11), Hosmer's Beatrice Cenci enabled viewers to consi...
  64. Hosmer's sculpture contradicts and even critiques the Cult of True (White) Womanhood ...
  65. Besides expressing Hosmer's developing feminist beliefs, Beatrice Cenci also embodies...
  66. But what of Hosmer's lifestyle, which I alluded to earlier? How is this an absent pre...
  67. Hosmer was indeed unconventional. Energetic and "boyish" in her behavior an...
  68. Hosmer both expressed (in her private letters and in her relationships with other wom...
  69. Notes I would like to thank the following for invaluable comments that assisted me ...
  70. 6. I derive the concept of the "incest narrative" from Janice Doane and Dev...
  71. 15. Ibid., 92. 16. Ibid., and February 20, 1858, 93. 17. Natalie Cole Michta make...
  72. 21. Sherwood, Hosmer: American Sculptor, 163; and Hosmer to Wayman Crow, October 18, ...
  73. 31. Lydia Maria Child, "Miss Harriet Hosmer," Living Age 56 (March 13, 1858...
  74. 50. For information about the nineteenth-century suffrage movement, see Nancy Cott, T...
  75. 61. Gwin, Woman in the Red Dress, 63. 62. For a comprehensive history of incest law...
  76. 75. Hawthorne, April 3, 1858, French and Italian Notebooks, 158. Hawthorne did not li...
  77. 89. Charlotte Cushman to Emma Crow Cushman, September 12, 1860, in ibid., 252. 90. ...
  78. BOCHNER, JAY. An American Lens: Scenes from Alfred Stieglitz's New York Succession. C...
  79. COLE, BRUCE. Fearless and Free: Celebrating the 40th Anniversary of the National Endo...
  80. DE REYNA, RUDY. How to Draw What You See. New York: Watson-Guptill Publications, 1996...
  81. FRIEDMAN, MARTIN. Close Reading: Chuck Close and the Artist Portrait. New York: Harry...
  82. HERRERA, HAYDEN, AND JENNI SORKIN. Joan Snyder. New York: Harry N. Abrams, 2005. 180 ...
  83. KANTER, LAURENCE, AND PIA PALLADINO, EDS. Fra Angelico. Exh. cat. New York: Metropoli...
  84. LESLIE, ESTHER. Synthetic Worlds: Nature, Art and the Chemical Industry. Chicago: Uni...
  85. MILIANI, ANTONIO SALCEDO. Jacint Salvado: Un Cami vers l'Abstraccio. Barcelona: Viena...
  86. PONTYNEN, ARTHUR. For the Love of Beauty: Art, History, and the Moral Foundations of ...
  87. SIBEN, ISABEL. Niki de Saint Phalle and Jean Tinguely Posters. Munich: Prestel, 2005....
  88. TURNER, NICHOLAS, AND JOSE MANUEL MATILLA. Dibujos Italianos del Siglo XVI. Madrid: M...
  89. NANCY J. TROY is professor of modern art at the University of Southern California [De...
  90. Like any undergraduate textbook, Art since 1900 must begin by providing a clear and a...
  91. The sections devoted to the art of 1968 are typical of this elision. "Dates seem...
  92. Notes 1. Hal Foster and Rosalind Krauss, "Visual Culture Questionnaire," ...
  93. At the same time, the book falls short on several fundamental points. If, as the auth...
  94. For lack of a better term, this hegemony marked in such definitive--one might even sa...
  95. This kind of conceptual exclusion or marginalization is telling and endemic of the bo...
  96. While Foster acknowledges on paper (p. 570) the crucial impact of feminism on art sin...
  97. Part of the problem is that the lingering formalism of the Octoberists' account margi...
  98. What this elision exemplifies is precisely the erasure of politics, history, and any ...
  99. 5. See, for example, Robert Storr's brilliant and amusing book review, "All in t...
  100. This brings me to 1969 and its stakes for Art since 1900. At the risk of seeming to a...
  101. If with a glancing perspective, the sheer word count devoted to these diverse practic...
  102. It is the predicament of contemporary art history that makes Art since 1900 such a cr...
  103. across a nineteenth-century painting he hijacked in the early 1960s, during his years...
  104. It is instructive to look at the instances where, compelled by the survey format, our...
  105. Obvious as well as consequential exclusions, lapses, evasions, and favoritisms of thi...
  106. Though such projects differ in scale, material, and site, a theme that runs through m...
  107. 10. Ockman, "The Road Not Taken," 120. 11. Dorner, The Way beyond "A...
  108. In short, what Art since 1900 offers up as twentieth-century art is a canonical view ...
  109. The other introductions are less biased and limited but they share an implicit logo-c...
  110. Rather than "the definitive history of twentieth-century art" hailed in cha...
  111. 4. Julius Meier-Graefe, Entwicklungsgeschichte der modernen Kunst (Stuttgart: Julius ...
  112. 13. Hal Foster, interview by Gaby Wood, "Avant-Garde for All," Observer, Ap...
  113. ACKLEY, CLIFFORD S., RONNI BAER, THOMAS E. RASSIEUR, AND WILLIAM W. ROBINSON. Rembran...
  114. NANCY J. TROY Couture Culture: A Study in Modern Art and Fashion Cambridge, Mass....
  115. Edited and with an introduction by Eve Blau and Nancy J. Troy. London: MIT Press. 199...
  116. For understanding Impressionism and politics, Philip Nord's Impressionism and Politic...
  117. Notes 1. This view is substantiated in a new and highly original study by psycholog...
  118. Pets' corner in the studio IMPRESSIONIST CATS AND DOGS by James H. Rubin Yale, ??25, ...
  119. To this very day, artists are bedeviled by a conflict between their frequent desire t...
  120. If someone gives you James H Rubin's Impressionist Cats and Dogs (Yale pounds 25), yo...
  121. WASHINGTON _ The Clinton administration is denying it is trying to "jawbone" the Fed...
  122. A Republican proposal to kill the Commerce Department was approved by the Senate Gov...
  123. The government's main economic forecasting gauge dived in October to its lowest level...
  124. WASHINGTON _ Confronted with mounting evidence of an economic slowdown, the Federal ...
  125. With consumer debt at a record level, banks say borrowers are falling behind on repa...
  126. In the big-stakes battle to avert a federal default, Treasury Secretary Robert Rubin ...
  127. Beginning with the present issue, The Art Bulletin launches a new series, "Inter...
  128. ABRAMOWICZ, JANET. Giorgio Morandi: The Art of Silence. New Haven: Yale University Pr...
  129. Early in 1527 Hans Holbein painted two portraits of Sir Thomas More, the great Englis...
  130. JANINE SOURDEL-THOMINE Le Minaret Ghouride de Jam: Un chef d'oeuvre du XIIe siecle ...
  131. The Venetian painter Vittore Carpaccio pictured Saint Augustine seated at a table in ...
  132. In his 1928 discussion of the origins of the art of painting in France, Louis Gillet ...
  133. STEPHEN BANN, ED. The Reception of Walter Pater in Europe London: Thoemmes Contin...
  134. In the field of Renaissance art history, we can usually assign makers' names to works...
  135. JOSEPH M. SIRY The Chicago Auditorium Building: Adler and Sullivan's Architecture a...
  136. The image produces the effect of a collapse of time, an effect that we attempted to d...
  137. ZAINAB BAHRANI The Graven Image: Representations in Babylonia and Assyria Philade...
  138. ANDREW M. WATSKY Chikubushima: Deploying the Sacred Arts in Momoyama Japan Seattl...
  139. AMY GOLAHNY Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and Histo...
  140. Dissertations in Progess by Subject African Art (sub-Saharan) BORTOLOT, ALEXANDER...
  141. The Grady Gammage Memorial Auditorium for Arizona State University in Tempe was the l...
  142. ABERTH, SUSAN L., Leonora Carrington: Surrealism, Alchemy, and Art. Burlington, Vt.: ...
  143. In the mid-eighth century CE, the Maya polity of Copan, Honduras, was the richest urb...
  144. ARTHUR M. SACKLER MUSEUM. Dutch and Flemish Drawings from the National Gallery of Can...
  145. Byzantium: Faith and Power (1261-1557) The Metropolitan Museum of Art, New York, Ma...
  146. The sixteenth century saw the creation of remarkable works of Gothic architecture, hi...
  147. ASIAN ART MUSEUM OF SAN FRANCISCO. Montien Boonma: Temple of the Mind. Exh. review. R...
  148. PAUL ZANKER AND BJORN CHRISTIAN EWALD Mit Mythen Leben: Die Bilderwelt der romische...
  149. A Dream of John Ball, a novel by William Morris, was first published as a serial in t...
  150. NIGEL LLEWELLYN Funeral Monuments in Post-Reformation England Cambridge: Cambridg...